Chuck Jones on TCM

20 March 2009

The-best-thing-Ted-Turner-ever-did-and-maybe-the-best-thing-on-cable-network,a.k.a Turner Classic Movies, will be showcasing a new documentary about the late, great Chuck Jones this week. To the uninitiated, Jones is the genuius creator/director behind Bugs Bunny, Pepe Le Pew, and almost all of the Warner Bros. cartoons world.

Imagine a world without “What’s Opera, Doc?”. Personally, I don’t wanna. The TCM event will include the new documentary, “Memories of Childhood”, as well as a string of Jones-directed greats. The fun starts this Tuesday at 8– for more info, go to tcm.com/movienews/index.jsp?cid=225908

Recent Drawings

12 March 2009
recline_mich1 recline_back michelleh_portrait

Update in the Drawings section– some recent charcoal and conte works, on toned paper. Any and all are available for purchase… just ask!

New Paintings!

8 March 2009
Profile Seated Portrait

We’ve got a new look, and new images of my paintings to boot… visit the paintings section for a look at work spanning the latter half of ‘08 and into last week.

New drawings will follow soon. Remember to contact me if you have any commercial interests, aka, you wanna buy somephin’. Thanks, and happy daylight hour loss!

Hello, world (again)!

3 March 2009

As you may be able to tell, it’s been a painfully long time since my last post– over a year!

Let me make a solemn vow, here and now– a somewhat more clued-in version of my artsy blog has arrived (cue crowd cheers and jeers). In a stroke of gadget-fixation, quite out of character for yours truly, I have acquired an iPhone. This tech, combined with the handy WordPress app, will allow me to update incessantly, and, with geekly fervor, on the go.

So, good to be back. Much art and skulldrudgery is on the way!

Travelogue 1.0: Charleston

7 February 2008
Charleston Battery Patty Tera

This past couple of weeks have been full of activity (work, painting, work, painting,) but at least a few days were spent leisure-like in Charleston, S.C. The delights there are many, in particular for the arts minded; the act of strolling, in itself, is a kind of cultural escape, given Charleston’s mise-en-scene. I like to think that there is no place else on earth with quite the blend of early American and Eurpopean architechture and structure as the Palmetto City. I often feel like I’m in a fantasized version of old-town Europe there, that the cobblestone streets and “Single House” style is almost theatrical in its charm.

Lucky for us, a client of mine offered their spacious (read: huge) 18th century-right-on-the Battery- house for the stay. This place was amazing, and a piece of history itself. Converted servants quarters, antique fixtures, huge landings, and super-tall ceilings are just a few of the authentic features of our staying residence. Right in the middle of it all, too, which made it especially nice for folks who love to stroll.

And the things you can find by walking there are delicious. We had dinner the first night at Fleet Landing Restaurant, a restored Naval debarkation point, which served up the best She-Crab soup (at least top-three) I’ve had, creamy with a hint of sherry. Other taste emporiums included Cru Cafe and Hominy Grill. On the downside of Charleston cuisine, I do sense a trend to “re-southernized” dishes; if the trendy eateries of the big coastal cities are to be believed, then all southerners eat Fried Chicken, cooked Cordon Bleu style, ladled with fancy gravy. Every mid-to-high level restaurant there feels it necessary to have a Shrimp and Grits dish. But, this self-consciousness aside, the low-country food does delight.

But this is an art blog (maybe art of living?), so what of the art in Charleston? For my tastes, there are a some choice offerings that must be seen, gallery and store-wise. First, for fellow representational lovers, there is Ann Long Fine Art, where both the ongoing collection (featuring works by Ben Long and D. Jeffrey Mims, for two of the many greats there,) and “current shows” (as of this month, a great showcase of nudes,) are sometimes breathtaking. Robert Lange Studios, meanwhile, has a fresh, contemporary p.o.v. on representational and sometimes abstract/expressionist work by new, and younger, artists. Part boutique, part gallery, Plum Elements looks far-eastward in it’s tastes. Many unique gift and art print opportunities to be found here, especially for hand-crafted Asian-themed works that go far beyond hippy craft. We’re quite proud of the Mayumi Oda screen print we picked up there.

I had forgotten, to be frank, the poetry and wealth of treasures in Charleston. Strange to think of the gamut that coastal South Carolina runs, from the uber-trash of Myrtle Beach to the paradise of Brookgreen Gardens (see my earlier post on this,) to the historical fantasy of the Palmetto City.

Pearl! Jam!

20 January 2008
Pearl_Nitehawk Pearl_me

As I’ve had opportunity to mention here before, I’ve got a second identity as a rock n’ rollist. I’m thankful for all the great friends that this path has brought my way, and last night’s performance here in Charlotte was, in a sense, a celebration of that crew of folks. Last night, Nitehawk became the Big Brother and the Holding Co. to a living legend at Charlotte’s Snug Harbor.

Nitehawk, known for taking the cover band concept to new levels, signed on a couple of months ago to back up our good friend Travis from Brooklyn, who periodically “channels” Janis Joplin under the moniker Pearl. (Janis fans will no doubt catch the reference). Travis not only looks and sounds like Janis, he becomes the late great blues rock icon, down to his interactions with the audience and the free flowing Southern Comfort. Check out the pics of Pearl and the ‘hawk through the above thumbs.

I find the story of Pearl, and how Travis came to the music of Janis, quite a moving one. When he was in his teens, Travis lost his half-brother to an accident. He found out some time later that his late brother’s favorite music was that of Janis Joplin, her whole oeuvre, from the Big Brother years through the Kosmic Blues era. Travis had not experienced the music of Janis before that time, and the loss of his brother introduced him to the soothing balm of heavy blues. Janis, quite literally, saved his soul, and soon thereafter he felt the bond so intensely that he started to perform as “Pearl”.

Which brings us to last night, and the full-tilt boogie that shook the audience and healed a lot of tired winter souls. Props to Nitehawk– we rocked the tunes, playing with aplomb, among others, “The Intruder”, “Combination of the Two”, “Down on Me”, “Piece of My Heart” and “Ball and Chain”. As “four gentleman and one great, great broad”, Pearl and Nitehawk brought some of the spirit of ‘67 to the Queen City.

Recent drawings…

18 January 2008
stephanie Christine_reclined jade

Here’s a collection of drawings from the first part of ‘08. Most are of the 20 minute model-pose type, but I’ve thrown a few of the five minute poses in for fun. All are charcoal, conte, and white chalk on either newsprint or Strathmore 400.

Truth is, sometimes I prefer the fivers– there’s a spontaneity to them, a lack of fussiness.

Inferno, Dreams, etc.

14 January 2008
Dante

Dante’s Inferno has been inspirational lately. Not to imply that I have been in a “living hell,” or that “the straight way was lost”, (though I’ve certainly been accused of the latter.) Rather, the visual aspect of Dante’s verse has been a peculiar kind of nourishment for my imagination. In what some may call an act of masochism, given the horror resplendent in Dante’s Hell, I find myself reading a Canto or two before sleep at night, and my subsequent dreams have been visually vivid and dramatic. Better than a plate of chorizo sausage and refried beans, the Inferno has awoken the slumbering dreamer, at least for the time being.

Not a bad era to be experiencing The Divine Commedy, either. There are tons and tons of exhaustive web resources on the Commedy, Dante’s other works, and Dante’s life and times. A quick browse of the incredible Project Gutenberg site yields this set of links to many complete versions of the Divine Commedy. Not to mention a full, downloadable version of the edition with Gustave Dore prints. Columbia University, meanwhile has the impressive “Digital Dante” site, which has even more imagery, resources, and research materials.

You might have to shell out many Lire to get the best translations, however. I’m no expert on the work, but I’ve heard that the Charles Singleton translation is the best, given that he forgoes silly rhyming schemes (a la the ever-popular Ciardi) in favor of capturing the essence and force of the language (more like Nabokov’s Eugene Oneigin translation.) If this search from Google products is any indication, I better take good care of my edition.

Journal-ism

11 January 2008
hardbound

Of all the stuff I learned in College– the factoids, cocktail party tidbits, habits bad and good, and actual truths (yes, real, actual truths)– one of the more lasting practices I retain to this day is that of journal keeping. Not necessarily of the Robinson Crusoe “today I found coconuts… tomorrow, more coconuts” variety. Rather, more of a visual record of some of the things I see, dream, or simply concoct, day in and day out, put down in a wide range of mediums (pen and ink, charcoal, watercolor, oil crayon, pastel, pencil) on the blank pages of hard bound sketch books.

I love these black volumes, with their creaky spines and smell of clean paper. The practice of extemporaneous drawing in them has become a daily ritual. Anything that comes to mind, as I put pen to paper, is fair game in the journal. It makes for a great personal record, and it’s a great means to flesh out larger ideas. After a few years, I’m left with a stack of books full of images, that are a a snapshot of my creative brain from the past. Sometimes, a mind is a strange thing to taste…

So today begins the process of taking the occasional piece from the journals and posting them online. Check out this handy flip-page “journal”, brought to you by the kind folks at FlashPageFlip.com. Stay tuned– more journally stuff to come!

Squidoo, meet creativekungfu…

9 January 2008

In my ever-aching need to be on top of the techie/media heap (sounds kinky, no?) I have started exploring the multitude of networking/blogging/posting resources out there.  I’m not afraid to blabber on-and-on in new and various forums.  Be it a blog, a lens, a digg, or a mxlplx, give me a soapbox, and on it I will likely stand. 

Today, then, I joined squidoo.  Why, you may ask, should I push much of the same content found here into a new venue?  Why not be happy with the quietude of one’s own blog?  Curiosity, for the most part.  I want to cultivate an audience, and would be lying if I claimed a “fit though few” policy.  I want people to see this work, in this forum, and I’m curious if branching the message out to more mediums will bring an audience.  I have read some pretty dastardly yet ingenious methods of promoting non-content for the sake of profit.  So if I can use a modicum of this snuff to bring actual interested artists/culture vultures to creativekungfu.com, where’s the harm?